'Likes' are shared on Facebook and Audible.com. We use your 'likes' to improve Audible.com for all our listeners.
You can turn off Audible.com sharing from your Account Details page.
OKI love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
Listening to Charlton Griffin's reading of Richmond Lattimore's translation of The Iliad was a wonderful experience.
Griffin is good at modifying the pitch and tone of his voice to evoke the different genders and ages and moods and agendas of the various characters. He brings the epic to life. He even makes fascinating the 90-minute introduction by scholar Herbert J. Muller. And the sound effects (ravens cawing over a battlefield) and Greek mood music introducing and concluding the 24 books of the epic immersed me in its world.
As for Homer's story, an epic focused on a short slice of a long war, a tragedy with plenty of humor, it is rewardingly rich, depicting the appalling heroism and horror of war, the full range of human nature (from bravery to cowardice, brutality to mercy, destruction to creation, and hatred to love), the richness of ancient Greek culture, the pettiness and power of the gods, and the mortality and wonder of life. Among the most impressive moments are Hector's meeting with his wife and baby before going out to fight, Hephaestus' crafting of a shield with the heavens and earth and all of human endeavor animated upon it, and Achilles' inability to embrace the ghost of Patroclus in a dream. I hope the following quotation will give an idea of the excellence of Lattimore's translation and the depth of Homer's vision:
As is the generation of leaves, so is that of humanity,
The wind scatters the leaves on the ground, but the live timber
burgeons with leaves again in the season of spring returning.
So one generation of men will grow while another dies.
In conclusion, I thoroughly savored this audio version of The Iliad, often smiling with appreciation for Homer's story, Lattimore's translation, and Griffin's reading. I highly recommend it.
I eagerly purchased this audiobook of T. H. White???s complete The Once and Future King, because for a long time Audible only had the individual books available. And I loved the first four books, which begin with the halcyon fantasy of The Sword in the Stone, in which the boy Arthur (???Wart???) is educated by an anachronistic Merlyn. The scenes describing the daily life of a medieval castle during different seasons are vivid and beautiful, while those recounting Wart???s fantastic adventures and transformations into various animals are imaginative, suspenseful, and humorous. White loved and respected flora and fauna (even snakes), and this first book is encyclopedic and fantastic, dense and rich, absorbing and moving.
From the second book, The Queen of Air and Darkness, which opens in the cold north as Queen Morgause boils a black cat alive while her four sons are telling the story of their grandmother???s rape by Arthur???s father, begins the increasingly dark movement of the novel, centered on the tragedy caused by Arthur???s family history and the romantic triangle between himself, Guenevere, and Lancelot (The Ill-Made Knight). In the 2nd through 4th books White most closely follows Malory, though he also moves the era forward from the 11th to the 15th century and empathically imagines how medieval men and women felt and thought with modern psychological insight. At the same time, he writes plenty of joie de vivre, questing and combating knights, and fascinating details about medieval life (food, fashion, feudalism, etc.).
The novel really concludes with the 4th book (The Candle in the Wind) as the last battle between Arthur and Mordred is about to begin, but this audiobook then adds The Book of Merlyn, which may be good for completists, but which I found disappointing, as on the eve of the last battle Merlyn takes his former pupil off for a night of anachronistic political and philosophical debate with Badger and company about why humans wage war and what might be done to prevent it. Apart from Arthur changing into an ant and a goose to experience two different social systems, there is little ???story??? in this last book: too little Arthurian Matter and too much Whiteian Musing.
Jason Neville does a marvelous job reading the long work, effortlessly giving different characters distinctive voices and personalities without over doing it (so that, for example, his female characters sound like human beings rather than like a man imitating ???women???). And his King Pellinore reminds me of John Gielgud.
I recommend this audiobook for anyone interested in the Matter of Britain or philosophical and well-written fantasy.
I really enjoyed Herodotus' The Histories, about the background and main events of the epic wars between the ancient Persians and Greeks (translated by George Rawlinson). I was hooked by "the Father of History's" enthusiastic accounts of interesting historical and cultural information and impressed by his appealing balance of objectivity and subjectivity. And I savored his many digressions amplifying the historical context, as well as his detailed accounts of the different ancient exotic cultures (like the Egyptians shaving their eyebrows when their housecats died or the Scythians making capes from the scalps of their fallen enemies), which were in a sense all similar in their violence, heroism, treachery, brutality, ethnocentrism, and superstitious following of prodigies and omens and oracles. We haven't changed so much in 2000 plus years???
Despite some listeners complaining about the reader, Bernard Mayes, I quickly came to enjoy his handling of The Histories, easily imagining myself listening to an elderly, experienced, and decent Herodotus. I appreciated Mayes' subtle changes in tone to express a variety of moods, from Xerxes' waxing wroth at some unpleasant advice and the Athenians getting peeved by the Spartans worrying that they would ally with the Persians, to the suspenseful accounts of battles like those at Marathon, Thermopylae, and Salamis that helped decide the course of world history. I found Mayes always to be right on task, always speaking with effective clarity and rhythm, always perfectly expressing Herodotus' humor, disbelief, admiration, and criticism of his historical subjects.
The only flaw in the audiobook is the too frequent, sudden flash of a kind of static, which distracts from the overall experience to the point that I'm giving what should be a five star audiobook four stars. I highly recommend it.
There are books of the same chemical composition as dynamite. The only difference is that a piece of dynamite explodes once, whereas a book explodes a thousand times. ― Yevgeny Zamyatin
Poetic delight. Lyric ecstasy. Personally, it's the best collection of poems ever. Should you have any doubts about that, look at the list of poems and the narrators.
(Part I/Disc I)
1. Autumn from 4 Seasons/Capella Istropiltana - Stephen Gunzenhauser (conductor)
2. Shakespeare, Seven Ages from As You Like It, Act II Scene VII - Sir Ian McKellen
3. A Fancy - The Rose Consort Of Viols
4. Shakespeare, From All the world's a stage: Infant (excerpt) - Sir Ian McKellen
5. Thom Gunn, Baby Song - Catherine McCormack
6. Ann Stevenson, The Victory - Richard Jackson
7. Emily Dickinson, Surgeons - Gayle Hunnicutt
8. Shakespeare, Fancy from Merchant of Venice, Act III Scene 2 - Mark Rylance
9. Ogden Nash, Guppy - Prunella Scales
10. Edward Lear, Quangle Wangle's Hat - Connie Booth
11. Thomas Hood, I Remember, I Remember - Ralph Fiennes
12. William Allingham, The Fairies - Juliet Stevenson
13. Thomas Hood, A Parental Ode - Ralph Fiennes
14. Robert L. Stevenson, My Shadow - Stella Gonet
15. Edward Lear, The Owl and the Pussy Cat - John Cleese
16. A. A. Milne, Sneezles - Andrew Sachs
17. Lewis Carroll, The Walrus and the Carpenter - Joss Ackland w/ Peter Bayliss
18. Ted Hughes, Jellyfish - Leo Sayer
19. G.K. Chesterton, The Donkey - Emma Fielding
20. Anonymous (or Christopher Isherwood?), The Common Cormorant - Andrew Sachs
21. R.L. Stevenson, Where Go the Boats - Stella Gonet
22. Ted Hughes, Crab - Leo Sayer
23. A.A. Milne, The End - Catherine McCormack
24. Midsummer Nights Dream (Uphill Down Dale) - Barry Wordsworth (conductor)
25. Shakespeare, From All the world's a stage: School - Sir Ian McKellen
26. R.L. Stevenson, To Any Reader - John Sessions
27. Dylan Thomas, Under Milk Wood - Ioan Gruffudd
28. Vernon Watkins, The Collier - Ioan Gruffudd
29. Shel Silverstein, Sick - Catherine McCormack
30. John Whitworth, Boring - John Cleese
31. John Whittier, From The Barefoot Boy - Jenny Agutter
32. Full Fathom Five from Tempest, Act I Scene 2 - Dame Glenda Jackson
33. Oscar Wilde, Rosa Mystica - Michael Williams
34. Rudyard Kipling, A Smuggler's Song - Michael Caine
35 C. Day Lewis, Walking Away - Timothy West
36 Hilaire Belloc, Tarantella - Terence Stamp
37 T.S. Eliot, Macavity - David Suchet
38 Rudyard Kipling, If - Michael Caine
39 Shakespeare, From Hamlet: This Above All - Michael Maloney
40. M. George Whitehead and His Almand - performed by Rose Consort Of Viols
41. Shakespeare, From All the World's a Stage: Lover - Sir Ian McKellen
42. W.B. Yeats, The Arrow - Art Malisk
43. H.W. Longfellow, The Arrow and the Song - HRH The Duchess Of Kent
44. Rabindranath Tagore, They Who Are Near to Me - Art Malik
45. Christina Rossetti, The First Day - Felicity Kendal
46. T.L. Beddoes, From The Song of Torrismond - Janet Suzman
47. R.S. Bridges, My Delight and Thy Delight - Ralph Fiennes
48. E.B. Browning, Sonnet 43 - Hannah Gordon
49. R. Kipling, The Virginity - Terence Stamp
50. P.B. Shelley, The Longest Journey - Samuel West
51. Anonymous, We Have Known Treasure - Charles Dance
52. Shakespeare, Sonnet 138 - Robert Lindsay
53. C. Rossetti, Echo - Dame Glenda Jackson
54. R. Tagore, Delusions I Did Cherish - Art Malik
55. Shakespeare, Sonnet 18 - Dame Glenda Jackson
56. A. E. Housman, When I Was One-And-Twenty - Pete Postlethwaite
57. W. B. Yeats, The Mermaid - Juliet Stevenson
58. Robert Herrick, Upon the Nipples of Julia's Breast - Terence Stamp
59. Robert Burns, My Love Is Like a Red, Red Rose - John Sessions
60. Shakespeare, Sonnet 116 - Robert Lindsay
61. D. H. Lawrence, New Year's Eve - Michael Maloney
62. D. H. Lawrence, Green - Michael Maloney
63. John Keats, A Thing of Beauty Is a Joy Forever - Mark Rylance
(Part II/Disc II)
1. Stravinsky: A Soldier's Tale - Nicholas Ward (conductor)
2. Shakespeare, From All the world's a stage: Soldier - Sir Ian McKellen
3. Shakespeare, Prologue from King Henry 5 - Mark Rylance
4. Julian Grenfell, Into Battle - Juliet Stevenson
5. W. B. Yeats, An Irish Airman Foresees His Death - William Houston
6. James Russell Lowell, Once to Every Man and Nation - Dame Judi Dench
7. Seamus Heaney, Whatever You Say, Say Nothing - William Houston
8. John McCrea, In Flanders Fields - Robert Powell
9. Vera Brittain, Perhaps - Dame Judi Dench
10. Wilfred Owen, Anthem for Doomed Youth - Robert Powell
11. Wilfred Owen, Dulce at Decorum Est / Lord Owen
12. Eva Dobell, Pluck - Felicity Kendal
13. W. H. Auden, From In Memory of W.B. Yeats - Art Malik
14. John Jarmain, At a War Grave - Michael Malony
15. John Jarmain, El Alamein - Michael Malony
16. Ruth Fainlight, Handbag - Prunella Scales
17. Elsie Cawser , Salvage Song - Michael Maloney
18. Rudyard Kipling, England - Michael Caine
19. Matthew Arnold, Dover Beach - Michael Williams
20. Dan Pagis, Written With a Pencil in a Sealed Wagon - Janet Suzman
21. John Donne, No Man Is an Island - Ed Bishop
22. Luis de Narvaez: Fantasia - Shirley Rumsey
23. Shakespeare, From All the World's a Stage: Wisdom - Sir Ian McKellen
24. Shakespeare, The Quality of Mercy from Merchant of Venice, Act IV Scene 1 - Ralph Fiennes
25. John Boyle O’Reilly , What Is Good - Dame Judi Dench
26. Walt Whitman, Leaves of Grass - Art Malik
27. Anonymous, Addendum to the Ten Commandments - Michael Caine
28. Geoffrey Chaucer, From The Canterbury Tales: A Student - Emma Fielding
29. James Leigh Hunt, Abou Ben Adhem - Robert Powell
30. Henry Wadsworth Longfellow, Song of Hiawatha (excerpt) - Clarke Peters
31. William Wordsworth, My Heart Leaps Up - Robert Hardy
32. William Blake, Auguries of Innocence - Timothy West
33. William Blake, The Tyger - Timothy West
34. Emily Dickinson, Of All Souls That Stand Create - Gayle Hunnicutt
35. Percy Bysshe Shelley, Chorus of Spirits - Prunella Scales
36. Samuel Taylor Coleridge, Kubla Khan - Pete Postlethwaite
37. Robert Burns, A Man's a Man for A' That - John Sessions
38. Robert Frost, The Road Not Taken - John Cleese
39. Anonymous, The Bleed'n' Sparrer - Michael Caine
40. The King of Denmark's Galiard performed by the Rose Consort of Viols
41. Shakespeare, From All the World's a Stage: Sixth Age - Sir Ian McKellen
42. W. B. Yeats, Politics - Michael Caine
43. Ogden Nash, Peekaboo, I Almost See You - David Suchet
44. Ogden Nash, Samson Agonistes - David Suchet
45. John Masefield , Sea Fever - Terence Stamp
46. Emily Dickinson, Exultation - Gayle Hunnicutt
47. Morris Bishop, We Have Been Here Before - Charles Dance
48. Alfred, Lord Tennyson From The Brook - Janet Suzman
49. William Wordsworth, Upon Westminster Bridge - Robert Hardy
50. J. Wilmot, Earl of Rochester, A Song of a Young Lady to Her Ancient Lover - Janet Suzman
51. Robert Burns, John Anderson, My Jo - Stella Gonet
52. Stanley J. Sharples, In Praise of Cocoa, Cupid's Nightcap - Emma Fielding
53. Rudyard Kipling, The Way Through the Woods - Art Malik
54. Christina Rossetti, From Uphill - HRH The Duchess Of Kent
55. Shakespeare, From All the World's a Stage: Last Scene - Sir Ian McKellen
56. Dylan Thomas, Do Not Go Gentle into That Good Night - Ioan Gruffudd
57. Christina Rossetti, Song - Jenny Agutter
58. Leo Marks, Code Poem for the French Resistance - Ralph Fiennes
59. Emily Dickinson, This World Is Not Conclusion - Gayle Hunnicutt
60. Robert Louis Stevenson, Requiem - John Sessions
61. Christina Rossetti, Sleeping at Last - Dame Judi Dench
62. Shakespeare, Fear No More from Cymbeline, Act IV Scene 2 - Sir Ian McKellen
63. John Banister Tabb, Evolution/Autumn from Four Seasons (Reprise) - Mark Rylance