Say something about yourself!
Absolutely without guile; open, frank, visual. What a life, what a legacy, and what a g-g-generation!
To put my 5* rating in perspective: as a very young teen, I was indifferent about The Who, couldn't name more than 3 songs they performed, wasn't a fan of the on-stage performance art-ish antics, and thought Tommy was mildly entertaining thanks to Elton John and Tina Turner; I'd rather have been listening to my Hendrix or Zeppelin LPs. So, my interest in this book surprised me; it was purely from seeing this very recognizable man recently on TV, promoting his bio, and being struck by his level of sincerity and vulnerability -- an almost apologetic demeanor without any of the ususal celeb braggadocio and self-aggrandizement that ruined some of the music celeb bios I've tried to get through (because yeah, we know, you're a bad A$$). Could that possibly be that rock star that used to do that windmill thing, smash his guitar, and strut with the royals of British rock, long live sex drugs and rock and roll? I was not some former fan, hoping to read Townshend's bio and flash-back to the glorious days when *I'd walk over you to see The Who.*
That perceived candor was accurate; I doubt it's possible to lay yourself so bare, as Townshend has done here, and be duplicitous. The history is fascinating and it reads like a grand timeline of rock and roll (which he calls *the absolute vehicle for self-destruction*). Townshend can probably go head to head with Keith Richards and his stories, but you don't get the sense that you are gathered around a pub table being regaled with wild rock star adventures -- though there are plenty of tales included. Instead, there is a kind of tolerance and wisdom that distances Townshend from being led by his talent to mastering his talent. His insecurities and self-doubts are bravely admitted, his love of family and friends obvious. I liked that he spoke about his achievements without bragging, aware of his talent as a gift--not a free pass to be an arse.
Once in a while an author connects to the reader and invites them into his life, it becomes intimate and real, like a confessional, and that connection is a gift borne of talent. Townshend's writing, and choice to narrate the book himself, put this book in that category. If I'd paid attention to those lyrics years ago, I probably wouldn't have been so surprised by his depth and talent. Like the man, this book is the real thing, and the product of a life lived hard...and well. The best celeb bio I've read to date (including the great Steve Jobs bio)--and remember, this is a man I had no interest in before. I'll have to go back and listen to The Who (with my *mature* ears) to see if I am yet a fan of the music, but I can say without any doubt I sure like Pete Townshend the man.
Audible has changed my life! Dry , itchy eyes were destroying one of my greatest pleasures - reading. Now I am experiencing books again!
First of all, let me say that "Twelfth Night" is wonderful Shakespeare. It's great for an introduction to the bard: the story is easy to follow, the language is beautiful, there's music and comedy, and the characters are very appealing.
The format here is the difference. There's an introduction, with background on the play as well as a brief biography of Shakespeare and his times. Then, the play begins. A narrator interrupts the action every few lines to re-phrase in "plain English" what's been said. This sort of interpretation is helpful to newcomers to the play, but it can also be quite distracting and, understandably, disrupts the flow of the production. For the best experience of the play itself, I think the way to proceed would be to listen first to a version without the commentary, then to this.
The commentary is quite good, I think. The explanations are presented clearly, and there is a distinction between information that is historical and that which is purely speculative (as much of Shakespeare's personal history must be).
This approach to "Twelfth Night" might be an excellent way to prepare for seeing a production of the play and is of interest to anyone wanting to experience it in considerable depth. Like others in the series, "Twelfth Night: Shakespeare Appreciated" is an obviously well-researched and well-executed effort. The experience might, however, require more commitment than the casual playgoer/reader wants.