
Even four years after the sudden death of his wife, best selling novelist Mike Noonan can't stop grieving, nor can he return to his writing. Now his nights are plagued by vivid nightmares of the house by the lake. Despite these dreams, or perhaps because of them, he decides to return to Sara Laughs, the Noonans' isolated summer home. In his beloved Yankee town, he finds himself falling in love with a widowed young mother, who struggles to keep custody of her 3-year-old daughter. He is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here - and what do they want of Mike Noonan?
©1998 Stephen King, All Rights Reserved; (P)1998 Simon & Schuster, Inc., All Rights Reserved
"The witty and obsessive voice of King's powerful imagination." (Amy Tan)
"What King lacks in professional polish he makes up for with an infectious enthusiasm that will lock in listeners for the long haul." (Publishers Weekly)
The devil is in the details. After the sudden death of his wife, successful author Mike Noonan is acutely aware of details--the ephemera of her life, the vivid images of his dreams, questions about the last months before her death. Author/narrator King uses careful scene-setting to lead us into the sensible, rational world of Noonan's home and family. Then, he slowly moves into an unreal world where the coincidences become spooky events and shadowy spirits, both good and evil, emerge. The slow revelation is so chilling it gets under your skin and drives the story. Noonan's efforts to help a young woman and her child become a key to dark secrets in their lakeside community. King's twangy voice takes some getting used to, but he's deft with the Maine accents, the conventions of speech and the endearing jumbled speech of 4-year-old Kira Devore. King has what he calls the "temperature gradient" of the characters and indeed he conveys this with precision. The slightly unpolished delivery, an occasional hesitancy and a storyteller's intimacy make the first-person narrative especially real. The program is enhanced with great blues music, and King even sings a few bars. These additions are thoughtful and don't overshadow or divert at all. Another unique audio feature is a substantial interview between producer Eve Beglarian and King after the novel's conclusion. Lively and informal, it's almost as if King has stopped by your book group to talk about his new book. This new novel is a ...
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