Sex, Drugs, and Cocoa Puffs Audiolibro Por Chuck Klosterman arte de portada

Sex, Drugs, and Cocoa Puffs

A Low Culture Manifesto

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Sex, Drugs, and Cocoa Puffs

De: Chuck Klosterman
Narrado por: Chuck Klosterman
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Over half a million copies sold!

From the author of the highly acclaimed heavy metal memoir, Fargo Rock City, comes another hilarious and discerning take on massively popular culture—set in Chuck Klosterman’s den and your own—covering everything from the effect of John Cusack flicks to the crucial role of breakfast cereal to the awesome power of the Dixie Chicks.

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don’t even get him started on his love life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he’ll make you laugh, and he’ll drive you insane—usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but—really—it’s about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, “In and of itself, nothing really matters. What matters is that nothing is ever ‘in and of itself.’” Read to believe.©2003, 2004 Chuck Klosterman. All rights reserved.; (P)2006 Simon & Schuster Inc. All rights reserved. Audioworks is an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc. Ciencias Sociales Cultura Popular Ensayos No ficción Divertido Ingenioso Para reflexionar

Reseñas de la Crítica

Gary Shteyngart author of The Russian Debutante's Handbook The funniest thing I've read in an ice age...Chuck Klosterman is a Gulliver among the cult-crit Lilliputians. America should wrap her freckled arms around Klosterman's scrawny neck and press him to her bosom. He may be the last true patriot among us.
Bob Odenkirk of Mr. Show Chuck Klosterman has the time and inclination to think through the issues that you didn't even know were issues. Laugh at him, or with him, or both...but you will laugh, dammit, you will laugh.
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Even if you don't agree with 60% of what he says, you still like listening.

Great, as always

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Would you recommend this book to a friend? Why or why not?

Certain CHAPTERS from this book certainly are recommended for those who really dig music.

Would you ever listen to anything by Chuck Klosterman again?

Only if it's strictly about music.

What does Chuck Klosterman bring to the story that you wouldn’t experience if you just read the book?

Chuck shares his thoughts like he’s sitting next to you and talking to himself. The fact that he is narrating his own book makes it more personal - almost like we get to really know him.

Could you see Sex, Drugs, and Cocoa Puffs being made into a movie or a TV series? Who should the stars be?

John Cusack..... just kidding.
I cannot see this turn into a movie or TV series unless CHUCK himself is in it.

Any additional comments?

This was the first audible-book I ever tried and it was the RIGHT book to start with: It is narrated by the author himself, who shares his thoughts like he’s sitting next to you and talking to himself.

First, some important clarifications:
1) This book is not for everybody. You’ve got to be American enough and immersed in pop culture enough to get its references. I myself am not American but have been obsessed enough with American music and movies to know what he was talking about throughout the chapters– well, except for the American football chapters. Those were especially uninteresting.
2) Chuck seems to be under the impression that the book targets those born in the mid-to-late seventies, but as someone who was born in the 80s, it still works. “Saved by the Bell” was aired on our TV screens in the 90s, but that may be due to a slight satellite lag in the Middle East!

OK. So. This book had some amusing moments. Examples of those are:
- Mentions of how John Cusack and Nora Ephron have been ‘ruining our relationships’
- Critical analysis of how we listen to music (we often like to think of the “IDEA” of what we’re listening to)
- Mix tapes vs. compilation CDs
- The take on patriotism (would you want to date someone who identifies as “patriotic”, or does that come off as creepy?)
- The fact that TV shows have created one-dimensional personalities, which in turn have made us, the consumers of this pop culture, lose our multi-dimensional aspects. Chuck talks about the singularity of self-awareness in this “real world” culture that is devoid of complexities: “People started becoming personality templates devoid of complication and obsessed with melodrama,” and being interesting has become replaced by being identifiable.
- Chuck also goes through long analysis of the SIMs computer game, sports, religion, and serial killers.

There are other amusing takes here and there, like Chuck’s touring with Paradise City: a Guns N’ Roses tribute band, whose goal is not to be somebody, but to be somebody else. Chuck also lets us know that he’s watching Pamela Anderson’s porn video while he’s writing the book, and goes on to compare Pam’s legacy – of our times – to Marilyn Monroe’s fame in an earlier generation, in terms of what the world valued then (the concept of celebrity, iconic figures and social philosophy) and the plastic greatness that is representative of the decline of American morality.

My favourite chapter was the one about Billy Joel. Chuck’s take on Joel is that his music is about loneliness: "Every one of Joel's important songs - including the happy ones - are ultimately about loneliness. It’s not clever lonely, like Morrissey, or interesting lonely, like Radiohead. It’s lonely lonely; like the way it feels when you are being hugged by someone and it somehow makes you sadder.” Chuck goes on to explain how Billy Joel’s “Just the Way You Are” is descriptive of the depression in all of us, because three years after releasing that song, Joel divorced his wife who he had written this song about, and it reminds Chuck of the love letters he had written to his ex-girlfriends; believing he would never get over them, but he got over them. "I hate that those letters still exist. But I don't hate them because what I said was false; I hate them because what I said was completely true. My convictions could not have been stronger when I wrote those words, and - for whatever reason - they still faded into nothingness." In that same chapter, Chuck mentions other musicians too, like Led Zeppelin (inarguably one of the coolest bands), Black Sabbath (one of the most under-estimated bands, yet indisputably cool), Meatloaf (“a goofball who is cool, in spite of himself”), David Bowie (not only a musician but so cool he becomes a pop idea) and Bruce Springsteen (also cool and representative of the working man). These are ideas of what we’re supposed to be experiencing, says Klosterman, and he highlights on coolness vs. greatness. Billy Joel, he insists, is *not* cool. He is faceless, and, in some ways, meaningless: his personal image is not integral to his success; he is not a pop idea. He is just a guy, who represents the depression of all of us. Chuck did such a good job at describing the way he sees Billy Joel that upon finishing this chapter, I went ahead and bought “The Nylon Curtain” album.

But this is probably just as good as this book gets. A little after this chapter, this book stops being so interesting and starts to head to a one-dimensional direction that Klosterman himself had been criticizing against. At some point, he goes as far as promoting the one-sided “you’re either with us or against us” soldier-like mentality that he himself is supposedly against. His sweeping generalizations and sometimes-petty arguments which are presented as “truths” also give no chance for the potentially-insightful momentum he had initially started with to survive. The singularity of his presentations, unfortunately, seems to represent that same one-dimensional reading that Klosterman had described American pop culture to have become.

This book is not really recommended, but I would say certain chapters from this book certainly are recommended for those who really dig music.

For like-minded music fans

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I read this book after I read Dying to Live, Chuck IV and Eating the Dinosaur, I just wasn't sure I would like it. I loved this book. I laughed out loud throughout it and nodded along and found myself telling anyone who would listen that they should read it. Take Chuck with his ego and opinions and narcissism and love him as much as he loves himself.

I loved this book

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I found this to be a very enjoyable book. The narration is very well done and the book itself is hilarious and often insightful.

Very Entertaining

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Insightful, smart, and spit out your coffee funny. This book is one more reason why I suggest this author to everybody I know. I’m also one of the very few humans from North Dakota I’m a little biased.

Great Chuck

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