JPod
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Narrado por:
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Marc Cashman
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De:
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Douglas Coupland
A lethal joyride into today’s new breed of technogeeks, Douglas Coupland’s new novel updates Microserfs for the age of Google.
Ethan Jarlewski and five co-workers are bureaucratically marooned in JPod, a no-escape architectural limbo on the fringes of a massive Vancouver video game design company.
The six jPodders wage daily battle against the demands of a bone-headed marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan’s personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod’s universe is amoral and shameless–and dizzyingly fast-paced. The characters are products of their era even as they’re creating it. Everybody in Ethan’s life inhabits a moral gray zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland himself. Full of word games, visual jokes, and sideways jabs, this book throws a sharp, pointed lawn dart into the heart of contemporary life. JPOD is Douglas Coupland at the top of his game.©2006 Douglas Coupland; (P)Random House, Inc. Random House Audio, a division of Random House, Inc.
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“Coupland is an accomplished and talented writer whose books are perennial bestsellers.” —Quill and Quire
“[JPod] is a work in which [Coupland's] familiar misgivings about life on the technological cusp are again invoked, but also one in which the skills he’s been developing as a novelist pay off, where his satirical streak and his social consciousness finally stop fooling around with each other and settle down together. . . . JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away.” —The New York Times Book Review
“JPod is a seriously funny book, . . . a rolling thunder of sustained comedy, first page to last, as it ends up, and skewers the shamelessness and amorality that define our era. . . . Coupland’s timing is impeccable: JPod is the right book at the right time.” —The Globe and Mail
“Imagine a cocktail of The Office, Weeds and Wired magazine, shaken not stirred . . . The master ironist just might redefine E.M. Forster’s famous dictate ‘Only Connect’ for the Google age.” —USA Today
“Coupland once again nails the zeitgeist of the age. . . . The best thing about JPod is its characteristic good writing . . . and its dark, unflagging wit.” —Calgary Sun
“Coupland is possibly the most gifted exegete of North American mass culture writing today. . . . JPod is without a doubt his strongest, best-observed novel since Microserfs.” —The Guardian
Praise for Hey Nostradamus!:
“A leap sideways from the acid irony which has shaded some of Coupland’s earlier novels. Instead, from the pen of one of the coolest authors on the planet has come a work of suffusing humanity.”
–Sunday Herald (UK)
“The leading literary voice of the most cynical generation lets it all out in a blaze of spirituality, terror, high comedy and soul-searching, and does it all in a way that is caring and clever, heartbreaking and hilarious, tough and tender. . .not only Coupland’s best novel, but also one of the best of the year.”
–The Hamilton Spectator
“[JPod] is a work in which [Coupland's] familiar misgivings about life on the technological cusp are again invoked, but also one in which the skills he’s been developing as a novelist pay off, where his satirical streak and his social consciousness finally stop fooling around with each other and settle down together. . . . JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away.” —The New York Times Book Review
“JPod is a seriously funny book, . . . a rolling thunder of sustained comedy, first page to last, as it ends up, and skewers the shamelessness and amorality that define our era. . . . Coupland’s timing is impeccable: JPod is the right book at the right time.” —The Globe and Mail
“Imagine a cocktail of The Office, Weeds and Wired magazine, shaken not stirred . . . The master ironist just might redefine E.M. Forster’s famous dictate ‘Only Connect’ for the Google age.” —USA Today
“Coupland once again nails the zeitgeist of the age. . . . The best thing about JPod is its characteristic good writing . . . and its dark, unflagging wit.” —Calgary Sun
“Coupland is possibly the most gifted exegete of North American mass culture writing today. . . . JPod is without a doubt his strongest, best-observed novel since Microserfs.” —The Guardian
Praise for Hey Nostradamus!:
“A leap sideways from the acid irony which has shaded some of Coupland’s earlier novels. Instead, from the pen of one of the coolest authors on the planet has come a work of suffusing humanity.”
–Sunday Herald (UK)
“The leading literary voice of the most cynical generation lets it all out in a blaze of spirituality, terror, high comedy and soul-searching, and does it all in a way that is caring and clever, heartbreaking and hilarious, tough and tender. . .not only Coupland’s best novel, but also one of the best of the year.”
–The Hamilton Spectator
I know Canada is a small, hapless nation but we have our own distinct hick voices (they are called hosers, btw) and they sound like someone who is just waking up from dental surgery and have been watching Rock em Sock em 4 all day.
One love.
Canadian hicks do not sound like American hicks.
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a little is lost
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This is also one of the most excellently read audiobooks on Audible. Marc Cashman has the pitch-perfect voice for the light-hearted comedy in this book. He also manages to give each character their own vocal idiosyncrasies so you are always aware of who is speaking, regardless of whether Coupland tells you.
There are a few books out there where you feel like the protagonist is "you". This is one of them. I hope you come to enjoy the book as much as I did.
-Michael
REQUIRED READING FOR GEEKS
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It just seemed as though he was patting himself on the back the whole time, making references to himself in his own book, as though he is such a strong presence in the social consciousness. It reminded me of the really cheesy scene in Ocean's Twelve where Julia Roberts dressed up as 'herself' to help out with the heist. It's just not effective and comes off a bit smarmy.
And his way of writing random pages of words/characters/phrases in his books, which I don't mind, doesn't come across effectively in the audio version.
I'm giving it 3-stars because it did have a few redeeming qualities and comical aspects to the characters, but definitely not his best effort.
Should you get it? I don't know....there are better ones out there.
A bit self-indulgent
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Theres a point in the book where every single three letter word in the english language is read aloud, feel free to skip forward at that point as it is tedious and ultimately meaningless.
Very funny, recommended
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