
When 36-year-old Sophie Stanton's husband dies of cancer, she desperately wants to be a graceful, composed Jackie Kennedy kind of widow. Alas, Sophie is more of a Jack Daniels kind. Adding her job and her waistline to her list of things lost, she moves from L.A. to Ashland, Oregon, prepared to defy the dismal weather and be rescued by Sam Shepard's twin. Instead, she finds an embittered 13-year-old girl with a fascination for fire, a job as Salad Girl at the local French restaurant, and an alarmingly cute actor who Sophie wished she didn't quite trust so much. Listeners will laugh and cry along with Sophie as she proves to the world and herself that she can recover from something devastating with darkly comic humor and her own type of class. Good Grief is the perfect audiobook for anyone who has ever been heartbroken, lost someone they've loved, or eaten too many Oreos.
©2004 Lolly Winston; (P)2004 Time Warner Audiobooks, a divison of the Time Warner Book Group
"Throughout this heartbreaking, gorgeous look at loss, Winston imbues her heroine and her narrative with the kind of grace, bitter humor, and rapier-sharp realness that will dig deep into a reader's heart and refuse to let go." (Publishers Weekly)
"Capably rendered and extremely reader-friendly..." (The New York Times)
When 36-year-old Sophie Stanton finds herself a widow, she copes the only way she knows how--by falling apart and surviving on ice cream. When her erratic behavior costs Sophie her job, she packs up, sells her house, and moves to Ashland, Oregon, to find herself and lose her grief. Amanda Foreman reads Sophie's struggles and triumphs with a solid sense of humor and tolerance, and captures beautifully the whiny nature of Sophie's rants, insecurities, and break-downs. The story itself moves slowly, but Sophie's self-pity, tiresome at times, is bearable thanks to Foreman's sympathetic performance. Foreman also shines when delivering the dialogue of 13-year-old Crystal, rife with attitude and self-destructiveness. A solid abridgment and happy ending make this a worthwhile listen. (c) AudioFile 2004
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