
Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering professor at Wellington, a liberal New England arts college. He has been married for 30 years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.
Then Jerome, Howard's older son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps, and the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register. An infidelity, a death, and a legacy set in motion a chain of events that sees all parties forced to examine the unarticulated assumptions which underpin their lives. How do you choose the work on which to spend your life? Why do you love the people you love? Do you really believe what you claim to? And what is the beautiful thing, and how far will you go to get it?
Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.
©2005 Zadie Smith; (P)2005 Penguin Audio, a division of Penguin Group (USA) Inc., and BBC Audiobooks America
"[Smith's] wonderful ear for dialogue, as well as her uncanny ability to inhabit characters from different walks of life, is truly extraordinary." (Bookmarks Magazine)
"A boisterous, funny, poignant, and erudite novel that should firmly establish Smith as a literary force of nature." (Booklist)
"Like Smith's smash debut, White Teeth, this work gathers narrative steam from the clash between two radically different families." (Publishers Weekly, starred review)
Zadie Smith is either the ultimate nightmare for a narrator or a gift from the audiobook gods. Her characters are a stew of ingredients from all regions of the English-speaking world: London intellectuals and street toughs, Haitians, African immigrants, New Englanders, Southerners, urban hip-hop poets. And in this virtuoso author's reimagining of E.M. Forster's HOWARD'S END, these characters interact repeatedly, forcing instantaneous switches from one dialect or accent and right back again. Smith's third novel revolves around Howard Belsy, a British academic teaching college in Boston, his African-American wife, Kiki, and their three headstrong teenaged children. Happily, James is up to the challenge and, even more commendably, never stoops to mawkish, exaggerated voicings. Even while ably negotiating a diverse cast, he never diverts attention from Smith, the rightful star. (c) AudioFile 2006
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