
Carl Webster, the hot kid of the marshals service, is polite, respects his elders, and can shoot a man driving away in an Essex at 400 yards. Carl works out of the Tulsa, Oklahoma, federal courthouse during the 1930s, the period of America's most notorious bank robbers: Dillinger, Baby Face Nelson...those guys.
Carl wants to be America's most famous lawman. He shot his first felon when he was 15-years-old. With a Winchester.
Louly Brown loves Carl but wants the world to think she is Pretty Boy Floyd's girlfriend.
Tony Antonelli of True Detective magazine wants to write like Richard Harding Davis and wishes cute little Elodie wasn't a whore. She and Heidi and the girls work at Teddy's in Kansas City, where anything goes and the girls wear, what else, teddies.
Jack Belmont wants to rob banks, become public enemy number one, and show his dad, an oil millionaire, he can make it on his own.
With tommy guns, hot cars, speakeasies, cops and robbers, and a former lawman who believes in vigilante justice, all played out against the flapper period of gun molls and Prohibition, The Hot Kid is Elmore Leonard, a true master, at his best.
©2005 Elmore Leonard; (P)2005 HarperCollins Publishers, Inc.
"The writing is pitch-perfect throughout....It's all pure Leonard, and that means it's pure terrific." (Publishers Weekly)
"As always, Leonard's prose seems effortless, his dialogue is perfect, and his humor is as dry as a moonshine martini....A terrific pleasure." (Booklist)
Arliss Howard offers a straightforward reading of Leonard's latest, a foray into the 1930s' Wild West. The hot kid of the title is a young U.S. marshal based in Tulsa, Oklahoma, who wants to become the most famous lawman in America by nabbing gangsters--Dillinger, Pretty Boy Floyd, Bonnie and Clyde. The gangsters, meanwhile, are striving to be number one on the FBI's "Most Wanted" list. This is perfect territory for Leonard, who makes the most of the adventure. Howard adopts the tone of a movie western, reminiscent of John Wayne or John Ford. It's gritty and direct, and it works. The only difficulty is with the high number of quote attributions in Leonard's dialogue-driven book, some of which Howard reads in the voice of the speaker, rather than the narrator. It can be confusing. Otherwise, this is an entertaining listen. 2006 Audie Award Finalist (c) AudioFile 2005
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