
Best-selling, critically acclaimed author Mark Helprin's work has drawn favorable comparisons to an elite group of literary legends, including James Joyce, Franz Kafka, Edgar Allan Poe, and Thomas Mann. Helprin's sheer comic brilliance shines in this ingenious farce.
Freddy is the bright but aloof Prince of Wales. Fredericka is his blonde, beautiful, and beloved wife. When they stumble into a public relations nightmare with no easy solution, they must make amends by serving an unusual penance. Literally dropped from a plane into a mysterious place called Hoboken, New Jersey, Freddy and Fredericka are given one task. They must reconquer America!
A thinly veiled satire of what might have happened if Princess Diana had survived, Freddy and Fredericka is an imaginative gem full of clever wordplay and wicked political jabs.
©2005 Mark Helprin; (P)2005 Recorded Books, LLC
"Helprin's entertaining new novel [is] a rollicking picaresque saga that reads as though Evelyn Waugh had put the movies Roman Holiday and Duck Soup into a blender along with some old copies of People magazine and a couple of Mark Twain's travelogues, and seasoned the resulting confection with generous helpings of his own black comedy....Mr. Helprin has constructed a perfect showcase for his heretofore underused gift of humor, and in doing so he has produced a delightful romp of a book." (The New York Times)
"Irresistibly mischievous." (Booklist)
"Wildly imaginative, adventure-filled, clever." (Publishers Weekly)
"[Mark Helprin] frequently astounds with the freshness of voice and the oddly soaring majesty of this...comic call for greatness in a mediocre era." (Kirkus Reviews)
Forget the histories! Forget Churchill's vast LIFE OF MARLBOROUGH! This is the definitive study of the thousand-year history of the English monarchy, and it's definitive reading. Yes, it is a comedy! Helprin has discovered that life is really just play made to look like high seriousness. Or is it all high seriousness made to look like play? We are never quite sure. Whatever it is, Robert Ian Mackenzie has caught it. His slow, measured narration; thick, almost Scottish, accent; richly developed vocal characterizations; and sheer delight in the author's wordplay all raise to the breaking point the high serious bubble the novel is intended to burst. It helps that Mackenzie is reading one of the finest satiric novels since Swift, but this reader could move us reading a phonebook. Treat yourself! (c) AudioFile 2006
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