Chaz Wilmot makes his living cranking out old-master parodies for ads and magazine covers. When he's offered a job restoring a Venetian palace fresco, he is at first, skeptical - he immediately sees it is more a forgery than a restoration. But he is soon seduced by the challenge and throws himself into the work, doing the job brilliantly.

Jake Mishkin's seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer (or killers) unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for 400 years.

They call him Lump. Ugly, misshapen, more goblin than human child, abandoned as an infant and taken in by a witch, he is nursed by a bear, tutored by a djinn; his only playmates are the creatures of the forest, whose language he learns to speak.

Jane Doe was a promising anthropologist, an expert on shamanism. Now she's nothing, a shadow living under an assumed identity in Miami with a little girl to protect. Everyone thinks she's dead. Or so Jane hopes.

The setting is Miami. Rookie cop Tito Morales arrives at the Trianon hotel to investigate a routine disturbance call and, to his shock and horror, watches as a wealthy oil man plunges ten stories and impales himself on a nearby fence. Soon Morales is joined by detective Jimmy Paz, famous throughout the city for solving, or at least providing a plausible solution to, the so-called Voodoo Murders that left Miami burning months earlier.