The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

Connor McKnight, former acolyte of film, Zen, and Japanese literature, is not unaware that these avocations are wildly different tfrom his present occupation (fledgling celebrity journalist). Meanwhile, his longtime girlfriend, the fashion model Philomena, seems curiously remote, and soon decamps for the West Coast.

This story collection by one of the preeminent writers of this generation traces the arc of an entire career and - in this manifold exploration of delusion, fame, and experience - displays anew McInerney's rare ability to unveil and recreate the manic flux of our society.

Posed with astonishing understanding and compassion, these questions power a novel rich with characters and events, both comic and harrowing, revelatory about not only New York after the attacks but also the toll taken on those lucky enough to have survived them. Wise, surprising, and, ultimately, heart-stoppingly redemptive, The Good Life captures lives that allow us to see, through personal, social, and moral complexity, more clearly into the heart of things.

On a September morning, brightness falls horribly from the sky, and people worlds apart suddenly find themselves working side by side at the devastated site, feeling lost anywhere else, yet battered still by memory and regret, by fresh disappointment and unimaginable shock. What happens, or should happen, when life stops us in our tracks, or our own choices do? What if both secrets and secret needs, long guarded steadfastly, are finally revealed? What is the good life?