The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school, when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria, his social doom is sealed for the next four years.

Lila Mae Watson - the first black female inspector in the world's tallest city - has the highest performance rating of anyone in the Department of Elevator Inspectors. This upsets her superiors, because Lila is an Intuitionist: she inspects elevators simply by the feelings she gets riding in them. When a brand new elevator crashes, Lila becomes caught in the conflict between her Intuitionist methods and the beliefs of the power-holding Empiricists.

J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.

A small Midwestern town is having an identity crisis: should they have a new techno-savvy name or a name honoring the freedmen who founded the town? Or is the current name just fine? They call in a professional naming consultant, famous for naming Apex bandages, guaranteed to match any skin color. But even he is losing his faith in monikers.

New York Times best-selling author and New York native Colson Whitehead composes a breathtaking tribute to his hometown. Whitehead captures the very essence of New York, infusing his reflections with the energy that permeates the city.