Mostrando resultados por narrador "Tamala Shelton" en Todas las categorías

A young woman, living on the street, has to keep her wits about her. Or her friends. But when the drugs kick in that can be hard. Anton has been looking out for her. She was safe with him. But then Steve came along. He had something over Anton. Must have. But he had a flat they could crash in. And gear in his pocket. And she can't stop thinking about it. A good hit makes everything all right. But the flat smells weird. There's a lock on Steve's bedroom door. And the guy is intense. The problem is, sometimes you just don't know you are in too deep until you are drowning.

Melbourne, Australia. As bushfires rage outside the city, three women watch a performance of a Beckett play. Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone. As the performance unfolds, so does each woman's story. By the time the curtain falls, they will all have a new understanding of the world beyond the stage.

It's funny how quick it happens and without you really noticing. Anton said once that it's like walking out into the sea, and you think everything's fine and the water's warm, but when you turn back you're suddenly miles from shore. I've never been much of a swimmer, but I get what he means. Like being caught in a current or something. A rip.

In a futuristic and dystopian Australia, industrialisation and capitalism have overwhelmed and smothered human rights and sanity. Meet Mirii, a young orphan caught in a system that's hell bent on keeping her down. When she finds unexpected allies, friends and love, will it be enough to see her through this nightmarish world? Or is it only the beginning of the troubles she will have to face?