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The Playbook
- A Story of Theater, Democracy, and the Making of a Culture War
- Narrado por: Gabra Zackman
- Duración: 8 h y 3 m
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Resumen del Editor
A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro
From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day—from slum housing and public health to racism and the rising threat of fascism.
The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis’s anti-fascist novel It Can’t Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre’s incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted “un-American” activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life—for, as Shapiro brilliantly argues, “the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent.”
A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal.
Reseñas de la Crítica
“A vibrant history both of the astonishingly successful Federal Theatre Project and the culture wars that succeeded in quashing it. . . Its demise still resonates, Shapiro warns, with the Dies playbook revived by culture warriors noisily censoring the arts. Sharp history as cautionary tale.”—Kirkus
“Another captivating theater history in which politics and entertainment intersect . . . Shapiro’s exquisite backstage history also cannily reflects on present-day political implications. It’s a bravura performance.”—Publishers Weekly (starred review)
“Shapiro points out at the beginning of his fascinating, tightly written tome that the word playbook has two meanings—a book of scripts and a set of tactics employed in a competitive activity . . . The most compelling chapters, though, concern Texas Representative Martin Dies Jr. and the playbook he followed as director of the House Committee on Un-American Activities to target and, ultimately, bring down the Federal Theatre Project and Flanagan. Shapiro notes that Dies’ destructive tactic, using well publicized public hearings to spread hearsay, rumors, and half-truths about his targets and gain lots of press, became the model for subsequent culture warriors intent on securing notoriety and silencing unwelcome voices and dissent.”—Booklist
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Brought up in rural North Wales, David Lloyd George attended neither a grand school nor ancient university. He was very much an outsider. And yet he rose through the ranks with charisma, fierce intelligence and fighting spirit to become, as Churchill put it in his tribute, a man who ‘stood, when at his zenith, without a rival’. But his rise was not without its hardships.
De: Damian Collins
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A Year in the Life of William Shakespeare
- 1599
- De: James Shapiro
- Narrado por: James Shapiro
- Duración: 6 h y 28 m
- Versión resumida
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Historia
1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.
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Note!--Abridged version
- De Scott en 01-05-16
De: James Shapiro
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Shakespeare in a Divided America
- What His Plays Tell Us About Our Past and Future
- De: James Shapiro
- Narrado por: Fred Sanders
- Duración: 9 h y 11 m
- Versión completa
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Historia
The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.
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An Entertaining History Lesson
- De David en 08-17-20
De: James Shapiro
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The Last Plantation
- Racism and Resistance in the Halls of Congress
- De: James R. Jones
- Narrado por: Bill Andrew Quinn
- Duración: 6 h y 40 m
- Versión completa
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A must-listen for anyone concerned about social justice and the future of our democracy, The Last Plantation exposes the mechanisms that perpetuate racial inequality in the halls of Congress and challenges us to confront and transform this unequal workplace that shapes our politics and society.
De: James R. Jones
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Mourning the Presidents
- Loss and Legacy in American Culture
- De: Lindsay M. Chervinsky - editor, Matthew R. Costello - editor
- Narrado por: Holly Adams
- Duración: 12 h y 2 m
- Versión completa
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Historia
The death of a chief executive, regardless of the circumstances—sudden or expected, still in office or decades later—is always a moment of reckoning and reflection. Mourning the Presidents brings together renowned and emerging scholars to examine how different generations and communities of Americans have eulogized and remembered United States presidents since George Washington's death in 1799. Over twelve individually illuminating chapters, this volume offers a unique approach to understanding American culture and politics by uncovering parallels between different generations of mourners.
De: Lindsay M. Chervinsky - editor, y otros
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When Left Moves Right
- The Decline of the Left and the Rise of the Populist Right in Postcommunist Europe
- De: Maria Snegovaya
- Narrado por: Teri Schnaubelt
- Duración: 8 h y 36 m
- Versión completa
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Historia
Over the past two decades, postcommunist countries have witnessed a sudden shift in the electoral fortunes of their political parties: previously successful center-left parties suffered dramatic electoral defeats and disappeared from the political scene, while right-wing populist parties soared in popularity and came to power. This dynamic echoed similar processes in Western Europe and raises a question: Were these dynamics in any way connected? When Right Moves Left argues that they were.
De: Maria Snegovaya
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Glorious Lessons
- John Trumbull, Painter of the American Revolution
- De: Richard Brookhiser
- Narrado por: Rick Adamson
- Duración: 9 h y 13 m
- Versión completa
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The complicated life and legacy of John Trumbull, whose paintings portrayed both the struggle and the principles that distinguished America's founding moment.
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