This week's midweek podcast comes from our colleagues at the New Yorker Radio Hour:

On the Netflix reality-TV dating show “Love Is Blind,” contestants are alone in windowless, octagonal pods with no access to their phones or the Internet. They talk to each other through the walls. There’s intrigue, romance, heartbreak, and, in some cases, sight-unseen engagements. According to several lawsuits, there’s also lack of sleep, lack of food and water, twenty-hour work days, and alleged physical and emotional abuse. New Yorker staff writer Emily Nussbaum has been reporting on what these lawsuits reveal about the culture on the set of “Love Is Blind,” and a push for a new union to give reality-TV stars employee protections and rights. “The people who are on reality shows are a vulnerable class of people who are mistreated by the industry in ways that are made invisible to people, including to fans who love the shows,” Nussbaum tells NYRH host, David Remnick. Nussbaum’s forthcoming book is “Cue the Sun! The Invention of Reality TV.”

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This week, the Department of Justice accused one of the most influential right wing outlets of laundering tens of millions of dollars. On this week’s On the Media, a former reporter on his progression from defining the disinformation beat to running one of the most famous fake news outlets, The Onion. Plus, a satirical movement about birds illuminates the inner workings of conspiracies.

[01:09] Host Micah Loewinger interviews Ben Collins, newly minted shareholder and CEO of the satirical site The Onion, about how his background in disinformation reporting led him to his latest gig.

[18:03] Host Brooke Gladstone speaks with Ian Beacock about Birds Aren’t Real, a prank conspiracy theory that is itself a case study in how misinformation spreads.

[34:41] Lastly, Brooke interviews Annalee Newitz about their latest book, Stories Are Weapons: Psychological Warfare and the American Mind. They discuss how stories have long been spun as a means of controlling people — from the 18th century to today’s culture wars.

Further reading:

• “Trump, QAnon and an impending judgment day: Behind the Facebook-fueled rise of The Epoch Times,” by Brandy Zadrozny and Ben Collins
• “Birds Aren’t Real: The Prank That Turned Misinformation on Its Head,” by Ian Beacock
• Stories Are Weapons: Psychological Warfare and the American Mind by Annalee Newitz

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Something happened on the internet this week that was at once HUGE and also kind of a foregone conclusion. Jimmy Donaldson better known as Mr. Beast has been for many years basically the king of YouTube. But, as of this week, Mr Beast is now officially the most subscribed YouTuber in the world with 271 million followers at time of recording. His clickbaity game-show style videos, with their extravagant sets and giant payouts, have come to define this era of the site.

Remember Squid Game, the Korean Netflix sensation? That show got around 265 million views. Mr Beast’s “real life” Squid Game video got 616 million views.

That’s why he’s number 1. And there’s actually a very interesting history of jockeying for YouTube’s top spot. Mr. Beast has overtaken a giant Indian entertainment company, T-series (266 million subscribers) which had reigned unchallenged for years.

In 2019, Micah worked with Brooke on a piece about the last time a big Western YouTuber went head to head with T-series. Back then it was a guy who was sort of the Mr Beast of that time, a youtuber known as PewDiepie.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.